{"id":3272,"date":"2026-02-20T23:04:13","date_gmt":"2026-02-20T23:04:13","guid":{"rendered":"https:\/\/elbatiscafo.com\/?p=3272"},"modified":"2026-02-20T23:04:35","modified_gmt":"2026-02-20T23:04:35","slug":"el-romanticismo-inaugural-de-the-smiths","status":"publish","type":"post","link":"https:\/\/elbatiscafo.com\/index.php\/2026\/02\/20\/el-romanticismo-inaugural-de-the-smiths\/","title":{"rendered":"El romanticismo inaugural de The Smiths"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:clamp(16.293px, 1.018rem + ((1vw - 3.2px) * 0.854), 25px);\">Un disco que inaugura una l\u00edrica deliberadamente pomposa, cargada de alusi\u00f3n y dramatismo, pero sostenida por letras oscuras y crudas. Una dualidad \u201chappy-sad\u201d donde la melancol\u00eda se estetiza sin dejar de doler, y en la que Morrissey se mueve con naturalidad a lo largo de la fugaz e inolvidable carrera de The Smiths.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si se tuviera que definir<strong> la esencia del debut de The Smiths, es sinestesia pura<\/strong>: flores marchitas, texturas aterciopeladas y la sensaci\u00f3n ambivalente de un d\u00eda domingo nublado. Un romance l\u00e1nguido y fatalista, una catarsis necesaria, para sostener la intemperie emocional.\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>En medio de la grandilocuencia estadounidense&nbsp;<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">A comienzos de los &#8217;80,<strong> la cultura popular respiraba en clave de contraste<\/strong>, h\u00e9roes cinematogr\u00e1ficos blindados de autosuficiencia y una escena musical que alternaba entre el brillo impostado del glam y la melancol\u00eda densa del post-punk.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Era una d\u00e9cada sin mixturas, y <strong>The Smiths logr\u00f3 diluir esos m\u00e1rgenes r\u00edgidos al proponer una sensibilidad que no pertenec\u00eda del todo a ning\u00fan extremo<\/strong>. Ni euforia artificiosa ni oscuridad herm\u00e9tica, sino que se gest\u00f3 una melancol\u00eda luminosa y bailable, donde el desencanto no anulaba la belleza.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La canci\u00f3n que logra condensar esta sensaci\u00f3n de melancol\u00eda luminosa, es justamente <strong>\u201cThis Charming Man\u201d<\/strong>, <strong>que funciona como hip\u00e9rbole del universo de The Smiths<\/strong>, exagera su brillo mel\u00f3dico, intensifica la iron\u00eda l\u00edrica caracter\u00edstica de Morrissey, llevando la vulnerabilidad masculina a un terreno de caricatura sutil.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Smiths - This Charming Man (Official Music Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/cJRP3LRcUFg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Una mezcla post-punk y jangle pop \u2014que en sus pr\u00f3ximos discos se inclin\u00f3 m\u00e1s por este \u00faltimo\u2014 matizados en claroscuros po\u00e9ticos. El \u00e1lbum, producido por <strong>John Porter<\/strong> \u2014conocido por su trabajo junto a Roxy Music y The Clash\u2014 tuvo una recepci\u00f3n entusiasta, el disco debut\u00f3 en el puesto n\u00famero dos en las listas del Reino Unido, manteni\u00e9ndose en el Top 75 por 33 semanas.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si bien Morrissey es la carta de presentaci\u00f3n de la banda, sin<strong> Johnny Marr<\/strong> en la guitarra,<strong> Andy Rourke<\/strong> en el bajo y la bater\u00eda de <strong>Mike Joyce<\/strong>, no se lograr\u00eda la impronta del jangle pop, reflejada en canciones como <strong>\u201cStill III\u201d<\/strong> y <strong>\u201cYou\u2019ve Got Everything Now\u201d<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Canciones como <strong>\u201cReel Around the Fountain\u201d<\/strong> o <strong>\u201cSuffer Little Children\u201d<\/strong> funcionan como embajadoras de la cruda herencia del post-punk.<\/p>\n\n\n\n<figure class=\"wp-block-kadence-image kb-image3272_8854f0-6a size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"800\" src=\"https:\/\/elbatiscafo.com\/wp-content\/uploads\/2026\/01\/The-Smiths-banda-britanica-en-1985.jpg\" alt=\"Banda The Smiths, circa 1985. From left to right; Andy Rourke, Morrissey, Johnny Marr, and Mike Joyce.\" class=\"kb-img wp-image-2869\" srcset=\"https:\/\/elbatiscafo.com\/wp-content\/uploads\/2026\/01\/The-Smiths-banda-britanica-en-1985.jpg 1024w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2026\/01\/The-Smiths-banda-britanica-en-1985-300x234.jpg 300w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2026\/01\/The-Smiths-banda-britanica-en-1985-768x600.jpg 768w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2026\/01\/The-Smiths-banda-britanica-en-1985-200x156.jpg 200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>La vulnerabilidad como performance<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En ese escenario de excesos y m\u00e1scaras, <strong>el debut de The Smiths introdujo la vulnerabilidad como performance<\/strong>. Morrissey no renuncia al dramatismo, sino que lo exagera, lo estiliza, lo vuelve casi oper\u00e1tico, pero lo hace para desplazar el centro de gravedad del rock hacia la herida \u00edntima.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>El romanticismo del apodado \u201cDivo de Manchester\u201d roza lo pat\u00e9tico<\/strong>; su lamento es deliberadamente ampuloso \u2014incluso rimbombante\u2014 y, sin embargo, en esa sobreactuaci\u00f3n persiste una verdad emocional que conecta. <strong>Es la decadencia temprana de los veinte<\/strong>: la sensaci\u00f3n de florecer en la penumbra, sin poder ni querer ignorar lo que sucede alrededor.\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En esa exageraci\u00f3n consciente, la fragilidad no se esconde, se exhibe para poder vivir y no solo existir. As\u00ed, el debut de The Smiths no s\u00f3lo deline\u00f3 un sonido, sino que cristaliz\u00f3 una sensibilidad, convirti\u00f3 el desencanto en est\u00e9tica y la vulnerabilidad en parte de una identidad.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un disco que inaugura una l\u00edrica deliberadamente pomposa, cargada de alusi\u00f3n y dramatismo, pero sostenida por letras oscuras y crudas. Una dualidad \u201chappy-sad\u201d donde la melancol\u00eda se estetiza sin dejar de doler, y en la que Morrissey se mueve con naturalidad a lo largo de la fugaz e inolvidable carrera de The Smiths. Si se [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":3273,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","artist":"","release_title":"","footnotes":""},"categories":[16,78],"tags":[],"class_list":["post-3272","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-efemerides","category-resenas-musicales"],"acf":{},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>El romanticismo inaugural de The Smiths - Batiscafo<\/title>\n<meta name=\"description\" content=\"Un disco que inaugura a The Smiths con una l\u00edrica pomposa, cargada de alusi\u00f3n y dramatismo, pero sostenida por letras oscuras y crudas.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/elbatiscafo.com\/index.php\/2026\/02\/20\/el-romanticismo-inaugural-de-the-smiths\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El romanticismo inaugural de The Smiths - 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Dise\u00f1o por Morrissey. 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Una dualidad \u201chappy-sad\u201d donde la melancol\u00eda se estetiza sin dejar de doler, y en la que Morrissey se mueve con naturalidad a lo largo de la fugaz e inolvidable carrera de The Smiths. 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