{"id":1648,"date":"2025-11-11T03:23:37","date_gmt":"2025-11-11T03:23:37","guid":{"rendered":"https:\/\/elbatiscafo.com\/?p=1648"},"modified":"2026-01-28T04:57:44","modified_gmt":"2026-01-28T04:57:44","slug":"siempre-es-hoy-el-disco-definitivo-de-gustavo-cerati","status":"publish","type":"post","link":"https:\/\/elbatiscafo.com\/index.php\/2025\/11\/11\/siempre-es-hoy-el-disco-definitivo-de-gustavo-cerati\/","title":{"rendered":"Siempre Es Hoy: el disco definitivo de Gustavo Cerati"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Luego de vivir una etapa experimental con el magistral <strong><em>11 Episodios Sinf\u00f3nicos<\/em> (2001)<\/strong> y el soundtrack instrumental de <em><strong>+ Bien <\/strong><\/em>(2001)<em>,<\/em> <strong>Cerati combin\u00f3 lo mejor de sus escuelas musicale<\/strong>s para confeccionar <em><strong>Siempre Es Hoy<\/strong><\/em>, un disco repleto de brochazos cadenciosos y tintes electr\u00f3nicos.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El tercer \u00e1lbum de estudio de Gustavo Cerati <em>est\u00e1 cumpliendo 23 a\u00f1<\/em>os, un trabajo que vuelve a las guitarras y re\u00fane piezas de <strong><em>Bocanada<\/em><\/strong> (1999), conect\u00e1ndolas con su herencia rockera y sacando as\u00ed exitosas canciones como <strong>\u201cCosas Imposibles\u201d, \u201cKaraoke\u201d, \u201cFantasmas\u201d o \u201cVivo\u201d<\/strong>.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Una bocanada de inspiraci\u00f3n para Cerati<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Detr\u00e1s de Gustavo Cerati siempre hubo un af\u00e1n genuino de licuar sus grandes influencias y retratarlas con pinceladas de su vida personal. Por m\u00e1s que no le gustaba que se entrometieran en su vida privada, el argentino <strong>siempre plasm\u00f3 sus estados de \u00e1nimo en sus creaciones<\/strong>.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cerati vivi\u00f3 un periodo de tremenda productividad mientras se encontraba envuelto en distintas catarsis personales. <strong><em>11 Episodios Sinf\u00f3nicos<\/em> <\/strong>(2001) y <em><strong>+ Bien<\/strong><\/em> (2001) son prueba de esa inagotable inquietud creativa.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Musas entre tragedias<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">No obstante, la crisis econ\u00f3mica y pol\u00edtica que sacudi\u00f3 a Argentina en el ocaso del 2001 no fue lo \u00fanico que afect\u00f3 al artista argentino. Adem\u00e1s de perder sus ahorros en el corralito, <strong>el m\u00fasico estaba viviendo una dura separaci\u00f3n con Cecilia Amen\u00e1bar<\/strong>, la cual termin\u00f3 influyendo en la confecci\u00f3n de Siempre Es Hoy.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sin embargo, <strong>el argentino entr\u00f3 r\u00e1pidamente en otra relaci\u00f3n con Deborah De Corral<\/strong>, quien fue un gran soporte para \u00e9l durante la composici\u00f3n de este LP. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cNo s\u00e9 si tuvo m\u00e1s influencia en el disco que mi separaci\u00f3n, pero mi relaci\u00f3n con ella fue energ\u00eda positiva, me sostuvo\u201d, declar\u00f3 Gustavo Cerati.<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Adem\u00e1s, ella fue testigo de la creaci\u00f3n del \u00e1lbum e incluso tambi\u00e9n particip\u00f3, aportando vocales en <strong>\u201cCasa\u201d, \u201cTorre de Marfil\u201d y \u201cAltar\u201d<\/strong>. <strong>\u201cMe sirvi\u00f3 mucho hablar con Deborah, y al mismo tiempo mi ex mujer tambi\u00e9n tuvo mucha importancia\u201d<\/strong>, confes\u00f3 Cerati en una <a href=\"https:\/\/es.rollingstone.com\/gustavo-cerati-siempre-es-hoy-arg\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>entrevista con<\/strong> <strong>Rolling Stone<\/strong><\/a>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-1024x683.jpg\" alt=\"Gustavo Cerati en un parque de New York, 2006. Por Carlos Mart\u00ednez.\" class=\"wp-image-2133\" srcset=\"https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-1024x683.jpg 1024w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-300x200.jpg 300w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-768x512.jpg 768w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-1536x1024.jpg 1536w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park-200x133.jpg 200w, https:\/\/elbatiscafo.com\/wp-content\/uploads\/2025\/11\/Gustavo_Cerati_in_the_Park.jpg 1896w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Cerati, Siempre acertado: aqu\u00ed, ahora y despu\u00e9s<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En 17 canciones, exprimiendo al m\u00e1ximo el rendimiento del Compact Disc, el ex <a href=\"https:\/\/elbatiscafo.com\/index.php\/2025\/11\/13\/soda-stereo-1984-el-despertar-que-bailo-en-technicolor\/\" target=\"_blank\" rel=\"noreferrer noopener\">Soda Stereo<\/a> <strong>arm\u00f3 su disco definitivo<\/strong>. <em>Siempre Es Hoy<\/em> abre las puertas con cortes luminosos como <strong>\u201cCosas Imposibles\u201d, \u201cNac\u00ed Para Esto\u201d o \u201cKaraoke\u201d<\/strong>, para luego desencadenar en los fogosos <strong>\u201cAmo Dejarte As\u00ed\u201d<\/strong> y <strong>\u201cTu Cicatriz En Mi\u201d<\/strong>. Una s\u00f3lida primera parte que <strong>captura la esencia cautivadora<\/strong> del argentino.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con el gancho consumado, <strong>\u201cSulky\u201d<\/strong> irrumpe con un giro de texturas. Es el quiebre del disco que encamina a un tempo m\u00e1s pausado y con venas electr\u00f3nicas, con <strong>\u201cCasa\u201d, \u201cCamuflaje\u201d y \u201cAltar\u201d<\/strong> como protagonistas. Este \u00faltimo cuenta con la curiosa participaci\u00f3n del rapero chileno y ex Los Tetas, <strong>Tea-Tim<\/strong>e.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">El fantasma de una relaci\u00f3n rota<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Luego llega la catarsis. <strong>La tormenta fue feroz, silenciosa y desgarradora<\/strong>. As\u00ed vivi\u00f3 Gustavo Cerati el quiebre con Cecilia Amen\u00e1bar, la madre de sus dos hijos y compa\u00f1era de vida por casi una d\u00e9cada. <strong>\u201cFantasma\u201d<\/strong> es el reflejo de no poder soltar, de rehusarse a ser extra\u00f1os. <strong>\u201cSeamos amigos, o el fantasma no podr\u00e1 dormir\u201d<\/strong>, exclama Cerati en el ocaso de la canci\u00f3n.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Gustavo Cerati - Fantasma (Official Audio)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1iTj06CV4A0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Luego <strong>\u201cVivo\u201d<\/strong> nos pone los pies sobre la tierra pero el coraz\u00f3n por los aires. La masificaci\u00f3n de TikTok eligi\u00f3 este tema para redoblar sus escuchas, aunque su encanto se <strong>sinti\u00f3 desde el primer momento<\/strong>. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Por su lado, <strong>\u201cSudestada\u201d<\/strong> mantiene la t\u00f3nica dulce y se posiciona como <strong>una de las canciones m\u00e1s hermosas del repertorio de Cerati<\/strong>, con las abrasadoras teclas de <strong>Charly Garc\u00eda<\/strong> como suave compa\u00f1\u00eda. Por \u00faltimo, <strong>\u201cEspecie\u201d<\/strong> encamina el cierre de persianas del \u00e1lbum y de un emotivo viaje que sobrepasa los sesenta minutos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A juicio de quien les habla, <strong>este es el disco que define a Gustavo Cerati<\/strong>. Es su sin\u00f3nimo irrefutable. Un hogar acogedor que tiene espacio para el amor apasionante, el deseo carnal, la introspecci\u00f3n profunda, el recuerdo triste y la esperanza viva. Los dos grandes mundos musicales de Cerati, el rock y la electr\u00f3nica, colisionan arm\u00f3nicamente, en perfecta sinton\u00eda.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Luego, tan s\u00f3lo cuatro a\u00f1os despu\u00e9s, <strong>Gustavo Cerati se entregar\u00eda por completo al rock cl\u00e1sico<\/strong>; desenfrenado y con parlantes potentes. <strong><em><a href=\"https:\/\/elbatiscafo.com\/index.php\/2025\/11\/11\/ahi-vamos-gustavo-cerati\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ah\u00ed Vamos<\/a><\/em><\/strong> (2006) fue el desahogo electrizante que tuvo contenido por tantos a\u00f1os, despu\u00e9s de estrenar el electr\u00f3nico <strong><em>Bocanada<\/em><\/strong> (1999) y del disco que estamos hablando. Por lo mismo, <em><strong>Siempre Es Hoy<\/strong><\/em> fue la combinaci\u00f3n id\u00f3nea de ambos universos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A este disco s\u00f3lo se le puede decir lo que alg\u00fan d\u00eda Gustavo afirm\u00f3 con tanta sabidur\u00eda: <strong>\u201cte amo para siempre, pero siempre es hoy\u201d<\/strong>.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-spotify wp-block-embed-spotify wp-embed-aspect-21-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Spotify Embed: Siempre Es Hoy\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/46Yq9oqsaZJb9ahoMk9iVd?si=loVvH7bBSrKGv_hF7MyG-w&amp;utm_source=oembed\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Luego de vivir una etapa experimental con el magistral 11 Episodios Sinf\u00f3nicos (2001) y el soundtrack instrumental de + Bien (2001), Cerati combin\u00f3 lo mejor de sus escuelas musicales para confeccionar Siempre Es Hoy, un disco repleto de brochazos cadenciosos y tintes electr\u00f3nicos.&nbsp; El tercer \u00e1lbum de estudio de Gustavo Cerati est\u00e1 cumpliendo 23 a\u00f1os, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uag_custom_page_level_css":"","artist":"","release_title":"","footnotes":""},"categories":[69,16,78],"tags":[79],"class_list":["post-1648","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-destacados","category-efemerides","category-resenas-musicales","tag-lectura-profunda"],"acf":{},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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